Due to set rearrangement, the sequence of shots 26-30 had to be adapted quite significantly.
Firstly, shot 26 is frames a rocking horse in the left third with the protagonist in the back ground, out of focus. The rocking horse was not available for use on the day of our shoot so instead we used a decorative lamp which portrays a woman holding up a dove. The dove is illuminated by the light, and this symbol of freedom contrasts with the protagonists entrapment, so in many ways this adaption was for the better.
The most recognisable alteration occurs in the sequence of shots 19-26. Due to the rearrangement of furniture and a continuity error we had to adapt the protagonist's movements from standing up to being on the floor on all fours: instead of him walking after he takes the drip out he now falls to the floor immediately afterwards. This meant he was in a different position for the following shots which had been filmed beforehand. Therefore we had to cut some shots and create some on the day. This delayed our filming but I think we dealt with the situation well and kept the continuity.
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