Typically, the opening of a film establishes the colour palette, which is depicted particularly well in Amelie. After the title screen appears there are a series of shots showing a young girl doing various childlike things, such as eating strawberries off her fingers, which are saturated in yellowy green tones. This is all outlined on the diagram shown on the right. The flashes of light and enhanced diegetic sound result in a dreamlike and intriguing sequence, hinting at the films comedic and alternate nature. The extreme close ups of the girl establish her as the film's protagonist, and the fast editing capture's the audience's curiosity.
Sometimes films, such as Trainspotting, contradict the usual codes and conventions of film openings and become non-conventional. This particular film opening uses still images to juxtapose fast paced editing, upbeat music and a voice over that coordinates with the images on the screen. The stills are deployed to introduce characters and be a background for the credits. Unlike the other openings studied, the beginning of Trainspotting cuts straight into action, a low angle shot of feet running, which is shown on the diagram to the left. There are instances of diegetic sound, such as a car screeching to a halt.
In conclusion, film openings use a variety of methods to increase audience interest, manipulate emotions and set the tone of the film; the main aspects being the pace of editing, colour grading and sound (or lack of it).